SrIvachana bhUshaNam – sUthram 250

SrI: SrImathE SatakOpAya nama: SrImathE rAmAnujAya nama: SrImadh varavaramunayE nama:

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avathArikai (Introduction)

When asked “Are these AzhwArs at the same level in performing mangaLASAsanam?” piLLai lOkAchAryar mercifully explains.

sUthram 250

AzhwArgaL ellAraiyum pOl allar periyAzhwAr.

Simple Explanation

periyAzhwAr is unlike all other AzhwArs.

vyAkyAnam (Commentary)

AzhwArgaL …

That is – there is great difference between periyAzhwAr and all other AzhwArs, in performing mangaLASAsanam.

adiyen sarathy ramanuja dasan

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Pronunciation Guide

A is used for “aa” sound – example: emperumAnAr, rAmAnuja

E is used for “yay” sound – example: EkAdhasi

I is used for “ee” sound – example: Iswara

O is used for “Oh” sound – example: Om

U is used for “oo” sound – example: Urdhva pundram

zh is used for very strong “l” sound – example: AzhwAr

L is used for strong “l” sound – example: muL (thorn)

N is used for strong “n” sound – example: nArAyaNa

R is used for strong "r" sound - example: puRappAdu (procession); its also used for "tr" sound in thamizh when there is double "R" - example: uRRAr (utRAr - relative)

d is used strong “d” sound – example: garuda

dh is used for meek “d” sound – example: gOvindha

t is used for strong “t” sound – example: ganta

th is used for meek “t” sound – example: vratham

sa, sha, ksha are typed as it is – examples: samskritham, shashti and kshamA

: is used for ha sound in samskritham words – examples: nama: to be said as namaha

Terminologies listing at Reader's Guide

avathArikai (Introduction)

sUthram 250

Simple Explanation

vyAkyAnam (Commentary)

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